Wednesday, January 11, 2012

Good paint? Bad Paint?

QUESTION:  I received two new 37ml tubes of Winsor-Newton watercolor paint -- squeezing the tube I do not get paint initially but an oily fluid -- is this paint at the bottom of the tube usable.  Cad Red and Cerulean Blue   - Ray T

SUSIE'S REPLY: Hi Ray!  The amber oily looking fluid is gum arabic. All brands of tube watercolors include water soluble gum arabic as a binder. Sedimentary pigments do settle and separate somewhat in the tube when they sit on a shelf or in your paint box for a while.   When you first open a tube of paint and see the gum arabic at the top put the lid back on the tube and shake or knead it a little to mix it back into the pigments. Using a toothpick or straightened paper clip to stir the paint in the tube has also worked for me to mix it back into the paint. The pigments remaining in the tube are not harmed by having less gum arabic but they may solidify and harden in the tube if they are not used for a while.
Cadmium Red and Cerulean Blue are both sedimentary pigments so I would expect to see some settling in the tubes.
I like painting with dry paint rather that freshly squeezed paint so this is no longer an issue for me. I prefer to squeeze the whole tube of paint into my palette well, stir it up to reintegrate the gum arabic and allow the paint to dry in the well before I paint with it. It works very well for my style of painting.
Thanks for your question! Happy Painting!
Susie

Sunday, December 4, 2011

Painting Watercolor on Canvas

QUESTION: Can you paint watercolor on canvas? Any special preparation or tips?
Thanks! Kathy, Duluth, MN
 
Susie's Reply: In a word...YES! And you guessed correctly, raw canvas does need to be treated or preped for the watercolor to adhere to it without soaking into the canvas. Gesso is widely used as a ground applied to canvas to prep it for painting but regular gesso is non absorbent and doesn't work for watercolor. Daniel Smith developed a watercolor ground that makes it possible to paint with watercolor on almost any surface.
You'll find out more about this new product on the Daniel Smith website:
http://www.danielsmith.com/Item--i-284-055-001

Just a little disclaimer: I don't work for Daniel Smith, I recommend their products because I believe in them and I am familiar with the products I recommend.

There is also a watercolor canvas made especially for watercolor by Fredrix. It's available in pads, stretched canvas, and mounted on watercolor boards. Most art suppliers carry this product.
I have experimented with painting on watercolor canvas and had fun trying new techniques. As I said it was fun, but not a suitable substitute for my signature style of painting. Try it you may like it!!!

Thanks for writing Kathy! Let me know how you like these products if you try them!
SUSIE

Watercolor Brush Question

QUESTION: Brush Question I just purchased your waves video in addition to Painting Sentimental Roses. I want to know exactly what brand and type of Daniel Smith round brushes you used in the painting waves demonstration. Thank you so much!  KW

SUSIE'S REPLY:
I use the Daniel Smith Platinum Series 23 Multi-Media Synthetic Round # 10 and #8. Here is a link to the DS site.
 http://www.danielsmith.com/Item--i-G-657-010
They are very reasonability priced so I recommend getting two of each size (#10 and #8) They will last twice as long if you alternate using them.


To some artists it looks like I abuse my brushes...I prefer to say I make them work for me. I scrub and lift and splay the bristles to create textures. If the tip loses its point, these are cheap enough to replace it with a new one and use the worn brush for those rougher techniques.


I do have a couple of sets of brushes on my site for convenience but my supply is very limited. I package my favorites for my students so they can order them when they order the DVDs.
I do mark them up slightly since I don't get much of a discount from DS. http://artstore.susieshort.net/brushes.html You probably get a better price per brush by ordering from DS directly.
Thanks for asking!
Happy Painting!
Susie
  

Monday, February 21, 2011

Setting up a new watercolor palette

QUESTION: Susie, I have read your tips on setting out the watercolors in my brand new palette. I will follow the ideas of using the colorwheel to fill the wells (84) with empty wells in between to fill as new colors are added. Do I add glycerin and water to the colors as I put them in the palette wells? Do I empty the colors straight from the tubes into the palette? The palette has a cover, so that will help to keep the colors dust-free. Thank you for your help. I look forward to your advice. JHY

Susie's Reply:
Hello!
Thanks for writing! Before you squeeze out any paint check the tube to see if the paint has settled and separated. The binder in watercolors is gum arabic and it is clear gooey stuff that sometimes rises to the top of the tube if the tube has been setting for a while. You may need to kneed the tube or turn the tube upside down for 24 hours to let the pigments re-mingle with the binder.
When setting up the new palette squeeze the paint directly from the tube into the wells. You do not need to add anything to the paint. Some colors will be wetter than other colors naturally.
I have better luck when I fill the well about half full then stir the paint with a toothpick to evenly distribute it and make sure all the tiny air bubbles pop and the gum arabic is mixed in well. Allow it to dry then add more paint to fill the well. Stir to mix and level off the paint in each well. Leave the cover off to speed up the drying time. Dry it completely before using it if you have time.
When you are ready to paint, simply dampen the colors with your brush as you use them. Some colors will reconstitute easier than others.
DON’T spritz the whole palette with water to prepare your paint for painting. That will break them down and make the paint crumble.

84 wells will hold a lot of paint choices. Have fun!

SUSIE


PS. I forgot to add if your watercolor paint is a brand that contains honey it will not dry in the palette wells, it will always remain tacky and gooey. That type of paint is formulated to remain damp so it will not work for this suggested setup.

Monday, November 29, 2010

Easy Christmas Cards with Masking Fluid

Hi Susie,
Help! I want to paint my own Christmas cards this year and I'm running out of time!
I am not totally new to watercolor but I am new to the use of masking fluids. What tips can you give me to to create a card using masking fluid to reserve the whites for the snow. I need ideas to get me going. Thanks. EJ

Hello EJ -- Good for you! Hand made holiday cards are always welcome and appreciated!

Here are a few tips:

  • If you are using the packaged blank cards (precut with envelopes) be sure the paper will support a wet application.
  • When shopping for blank cards look for cards made for watercolor or use standard watercolor paper cut to the size you need to fit your envelopes.

Masking fluids are a great way to reserve whites when painting Christmas cards. There are several brands of masking fluid available in many art stores, some are clear and some are tinted. They are similar in how they are applied and how they work. Use what works best for you.

As for ideas and inspiration, I have a new Winter Landscape card lesson using masking fluid on my website. It's free to print for your personal use.

Let me know what you think!

Happy painting!

SUSIE

Thursday, October 21, 2010

Colors of a mountain lake???

Question: What colors do you mix for a mountain lake? Trying to watercolor a photo of a mountain lake in Yosemite. Angela

Susie's Reply: This question doesn't have a definitive answer. There are several color options and several factors to consider when painting still water as you would see in a mountain lake.
Unless the water is merky from algae or muddy from recent rains the water itself is grenerally clear and without much color. What influences the color of the water the most is the reflections of what is around it. Deep water is usually darker and more reflective than shallow water where you can see the bottom.
I know this answer may seem a little vague but without seeing your lake and what's around it I'm not sure what colors to suggest. I can tell you that I would use the same colors I used to paint the trees and mountains around the lake.
Another factor that influences the what we see in a reflection is the angle of incidence or the location of the eye of the viewer vs.
angle of reflection located on the surface of the water. If we are looking down into a lake what we see is quite different than what we see if we are standing closer to the water level on the shore of the lake.
In most cases the color of the water is a darker value than the local color of its surroundings.
I know this doesn't give you a "formula" to mix up before you paint the water but I hope you can look at the colors surrounding your lake and see what you might use to create an illusion that pleases you. Have fun! And don't get discouraged if you don't get it right the first time ....try painting another. Let me know how it goes....and don't hesitate to ask again if you need more specific input.
Keep those brushes wet!
SUSIE

Sunday, May 2, 2010

What's your brush for painting skies?

Question: Susie, I have your dvd on clouds, which is fantastic. Can you please tell me what brush you use. It looks like it is about 1-1/2 to 2". I bought one, but it is too thin and leave streaks (I paid quite a bit for it). Thanks. Pat
SUSIE'S REPLY:
Hi Pat,
The brush I use is a cutter-type brush made from hog bristles (once used by sign painters to “cut” in sharp letters).
The industry stopped making this type brush since most signs are now digitally made. So the brushes were hard to find.
Daniel Smith listened to my plea and started making this brush for me and my classes. They call it the Susie Short chiseled tip watercolor wash brush and they sell them in their catalog and online.
http://www.danielsmith.com/
I sell them in my little
artstore too. But the price is better on the DS site since I buy my brushes from them then add a little mark up.

Truth be told I use this brush for 75% or more of almost every painting I do. It’s a good size for all washes and under paintings.
And it’s great for foliage and texture when using dry-brush techniques.

Thanks for writing! And have fun painting those skies!
Keep those brushes wet! Susie