SUSIE'S REPLY: Hi Kris - Thanks for the kind words! I love what I do and I love to share.
The answer to your question on colors for painting dry sand and wet sand would depend on the location of the beach and the type of sand found there. It could be white or tan or black or golden or any combination of these.
Just as you hair looks darker when its wet, wet sand will usually be a darker value of the same hue/color you use for dry sand. Plus keep in mind that wet sand will often be reflective of the sky color too. Those reflections will vary in color depending on the lighting conditions and the time of day.
Granulating pigments add a slight texture that helps with painting the illusion of sand and is even more effective if the granulating pigments are used on rough watercolor paper.
I suspect you want me to give you the names of some colors you might try for painting sand. :)
And I'll be happy to name a few that will work well for painting sand.
One relatively new color for me in my paint box is Goethite Brown Ochre (Daniel Smith)
I found that works well for a mid value warm golden sand that doesn't look too yellowish. I like mixing it with Indanthrone Blue or French Ultramarine for a nice blue gray. It has a nice density that lends to granulation when used on either cold pressed or rough papers. (While I haven't tried it on hot pressed paper yet, I believe with the properties of the pigment would give some nice granulation on hot pressed too.)
- Quoted from Daniel Smith:
Found in iron deposits nearly worldwide, Goethite (Brown Ochre) is named after Johann Wolfgang Goethe, the German philosopher, poet and mineralogist.
Our unusually pure pigment is mined in Russia, south of Moscow. Rich and warm, DANIEL SMITH Goethite is a dark tea color in masstone and washes out to a rich, warm tan. In washes, it displays intriguing granulation, with pools of light and dark in every brushstroke. Like all colors derived from the earth, it is lightfast and permanent…a lasting connection to the planet and the creative forces of nature.
Used alone or mixed together here are some additional watercolor pigments/paints you might want to try.
- Burnt Sienna
- Raw Sienna or Yellow Ochre
- Lunar Earth
(DS) A transparent, non-staining pigment that resembles Burnt Sienna in color but separates dramatically. Lightfast and extremely versatile, Lunar Earth shares pigment properties with Lunar Black and creates similar amazing textures.
Explore their radical reticulating qualities separately, then try painting Lunar Earth into a wet Lunar Black wash. An instant beach-sand and pebbles-magically appears.
- Lunar Violet
(DS)With extreme granulation it’s capable of creating a rugged weathered look of years gone by, mix with other granulating pigment to create a sandy texture.
- Burnt Bronzite Genuine
(DS)Burnt Bronzite Genuine pushes the honey tone of Bronzite Genuine to a more coppery hue. Both deeper brown and more orange, it's ideal for portrait work as it easily produces a wide range of flesh tones. Like Bronzite Genuine, it gets a subtle lustrous sparkle from iron oxide.
- Bronzite Genuine
(DS) It's a warm golden-brown in masstone - somewhere between ochre and sienna, but distinctly different - that lets down into pale washes of soft, always warm, sandy beige. In a wash on cold press or rough paper, the brown settles out of this intriguing special-effect color.
- Yavapai Genuine
(DS) ground from a heavy silvery-black mineral rich in iron. In a thick wash, the heavier particles settle, creating bold granulation. In a thin wash, it is a soft dove gray.
- Hematite Violet
(DS) produces the same splendid texture as the standard Hematite, but the background hue is a warm violet-brown.
- Transparent Brown Oxide
I hope these give you some ideas for painting sand, wet or dry.